Education
2011-2015 Istanbul Avni Akyol Fine Arts High School
2015-2019 Marmara University GSF, Graphic Design
2018 Animaokul, 3D Modeling and Rendering
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Exhibitions
2012 Greece - Thessaloniki Workshop
2012 Dogus University Art Exhibition
2012 Romania - Bucharest Art Exhibition
2012 Marmara University Art Exhibition
2014 Polish Art School Sister Project Exhibition CKS Ä°stanbul
2015 IMOGA Süleyman Saim Tekcan Collective Project
2015 Mehmet Güleryüz Sketchbook Competition Exhibition
2015 ''Sabahlama'', Workshop Exhibition / curated by Silver Gözütok Güçlü, HaydarpaÅŸa Train Station
2015 Poland - Kielce Workshop and Exhibition
2019 ''Beyin Uyuşması'', Collective Exhibition / curated by Mustafa Horasan, KUME Art Gallery
2020 Zbrush 3D Modeling Workshop Head Instructor / Hoodbase
2021 ''MELANCHOLIA'', Solo Exhibition / Hood Base
2022 Stickcon - Sticker Design Market and Exhibition / curated by Hoodbase, HoÅŸ Workshop
2022 Dreamgigs Illustrated Imaginary Posters Exhibition / curated by Hoodbase, Hera Kadıköy
2023 ShakeXL Art fair, Stand Holder, Bristol/UK
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Awards
2013 Turkey High School Fairy Tale Illustration Competition, Honorable Mention
2014 Terracaycell and Big Recycling Box Design Turkey 1st Place, Group Project Study
2014 Sakıp Sabancı Museum, "Let's Overcome Obstacles" Art Competition Special Jury Award
2015 Mehmet Güleryüz Sketch Book Competition Award
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Interviews
Eusa is a traditional dry pencil artist who focuses on baroque, victorian and gothic patterns and mix them with her own stories. She tries to express what is in her unique mind about deep melancholic thoughts. She continues to improve herself in every field she is interested in. She graduated from Avni Akyol Highschool of Fine Arts and received her BFA in Graphic at the Marmara Fine Art University of Istanbul in Turkey. She is also Senior 3D artist and usually makes her living from 3d character design and concept design.
''I am a storyteller. When I pick up my pen, a plot always begins. I can never stop my brain from thinking. That's why my works always have a meaning and emotional intensity. I mostly lean towards melancholic and dark feelings. It is very important for me to express my problems through my works while understanding myself. That way I can deal with the thoughts in my head. I am describing my salvation precisely because I cannot see any other way.
When trying to convey the contents of my head, I first look at the spaces. Thus, the main object begins to emerge. This has somehow become my life philosophy. I see what I should perceive, not what I should see first. Facts are black and white for me, just like in my own life. Those spaces became my shapes. The black and whites and spaces in my pencil drawings are the ones that create the real phenomenon...''
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